Maurice Sendak, the children's book illustrator and author whose unsentimental approach to storytelling revolutionized the genre and whose best-known tale was the dark fantasy "Where the Wild Things Are," has died. He was 83.
Sendak, who also was a set designer for opera and film, died Tuesday at a hospital in Danbury, Conn., his friend and caretaker Lynn Caponera said. He had suffered a stroke on Friday, she said.
He had already been proclaimed "the Picasso of children's books" by Time magazine when, in his 30s, he wrote and illustrated "Where the Wild Things Are." It became one of the 10 bestselling children's books of all time.
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The work, published in 1963, was a startling departure from the sweetness and innocence that ruled children's literature. "Wild Things" tapped into the fears of childhood and sent its main character -- an unruly boy in a wolf costume -- into a menacing forest to tame the wild beasts of his imagination.
Librarians banned the book as too frightening. Psychologists and many adults condemned it for being too dark. But a 1964 Los Angeles Times review echoed many critics: The "aggressive flight of fantasy" was "the best thing of its kind in many a year."
By then, "Wild Things" had won the Caldecott Medal for most distinguished American picture book for children. The author began receiving mail from young fans captivated by the grinning monsters Sendak said he modeled after the obnoxious relatives who populated the Sundays of his youth.
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One boy wrote to ask: "How much does it cost to get to where the wild things are? If it is not expensive, my sister and I would like to spend the summer there."
When President Obama read from "Wild Things" to children at the White House Easter egg roll in 2009, he called it one of his favorite books.
Sendak bristled at the notion that he was an author of children's books and told People magazine in 2003 that he wrote stories "about human emotion and life."
"They're pigeonholed as children's books, but the best ones aren't -- they're just books," he said.
Upon awarding Sendak the National Medal of Arts in 1997, President Clinton remarked: "Perhaps no one has done as much to show the power of the written word on children, not to mention on their parents, as Maurice Sendak."
An illustrator of about 80 books and author-illustrator of another 20, Sendak had won almost every important prize in children's literature.
Digby Diehl, then The Times' book critic, called Sendak "the Norman Mailer of children's books" in 1971.
Sendak had attained the same preeminence in storytelling for children that Mailer had in adult literature, Diehl wrote, and made "the same incredibly instinct-trusting leaps of imagination, risks of fantasy and marvelous journeys of delightful mental meandering ... only Sendak does it for kids."
In 2002, the New York Times pointed out that Sendak had dominated its 50-year-old annual list of the year's best illustrated children's books "and the public consciousness of children's books in the second half of the 20th century."
Years before "Sesame Street" popularized playful teaching of the young, Sendak unleashed his frolicsome humor in 1962's "The Nutshell Library." The four tiny volumes includes lessons on ABCs, counting and a morality tale told through Pierre, the boy who does not care even when a lion fancies him for dinner.
Of the books he wrote, Sendak said "Higglety Pigglety Pop! Or There Must be More to Life" (1967) was his favorite. The nonsense tale starred a terrier who decides there must be more to life than having everything. The dog was based on Jennie, his Sealyham terrier and companion of 14 years, who had gone "to Castle Yonder," as he wrote in the book.
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